Current Issue

Volume 28, Issue 1 (Summer 2013)

Articles:

  • “Theatres in Amsterdam and Antwerp between 1637 and 1775: The Evolving Designs of Theatres in the Early Modern Low Countries” by Timothy De Paepe
  • “From Venice to Constantinople: Traveling Widows in the Context of the Greek Enlightenment” by Antonis Glytzouris
  • “‘I must vary shapes as often as a player’: Susanna Centlivre and the Liberty of the British Stage” by Jennifer L. Airey

Theatre Reviews:

  • Sir Patient Fancy by Aphra Behn, directed by Rebecca Patterson, The Queen’s Company, Wild Project, New York, NY; reviewed by James Horowitz
  • The Rivals by Richard Brinsley Sheridan, directed by Hal Brooks, The Pearl Theatre Company, New York, NY; reviewed Srividhya Swaminathan
  • Coronation of Poppea by Claudio Monteverdi, directed by James Conway, English Touring Opera, Malvern Theatres, Worcestershire
    Agrippina by George Frideric Handel, directed by James Conway, English Touring Opera, Malvern Theatres, Worcestershire
    Jason by Francesco Cavalli, directed by Ted Huffman, English Touring Opera, Malvern Theatres, Worcestershire; reviewed by Jessica Munns

Book Reviews:

  • The Rival Sirens: Performance and Identity on Handel’s Operatic Stage by
    Suzanne Aspden. Reviewed by Angela Escott
  • Coyness and Crime in Restoration Comedy: Women’s Desire, Deception, and
    Agency by Peggy Thompson. Reviewed by Deborah C. Payne
  • Thomas Killigrew and the Seventeenth-Century English Stage edited by Philip
    Major. Reviewed by Riki Miyoshi
  • Prologues and Epilogues of Restoration Theater: Gender and Comedy,
    Performance and Print by Diana Solomon. Reviewed by Mary Vance